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Modeller Build Logs
M51 Isherman |
| By Michael Bedard | | Started: | May 19, 2007 | | Updated: | Jul 27, 2007 |
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June 5, 2007 marks the 40th anniversary of the Six-Day-War that is still having repercussions felt around the world even today. I was asked to write an article for Military Modelcraft International to mark this event. Well, between my lack of speed constructing my model, my lack of computer technical skills sending things international and the slow speed of mail my article unfortunately missing the April deadline for publication. Tony Little the editor has mentioned that the article will however appear in the August issue. I asked Tony if it would be alright to publish a BLOG on track-link about the M51 build and he agreed. He mentioned that the on-line BLOG would probably be more detailed in nature due to the restriction of space in the magazine. I would appreciate helping Tony out by at least purchasing the issue when it is published.
In honor of the Six-Day-War I decided to build the M51 Isherman (someone has stated that there is no such things as an Isherman). For me, a Sherman nut, it is the ultimate statement as far as the Sherman tank goes. I purchased the DML M51 shortly after it was introduced in 1997. I started the model around 2000 or so and it sat around for some time. This BLOG focuses on the original issue and what I have done to detail the kit. many of the parts I bought or made myself are present on the latest Premier version of DML's M51.I am sure that some of the Shermanaholic details I addedwould be appropriate for the newer release as well. Besides the DML kit I also bought the Aber fender set for HVSS Sherman and Eduard's photo-etch set (35182) that was meant for the Academy kit.
Hope you enjoy the BLOG and that there is something useful for your own model. |
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| Israel Khaki | Jul 9, 2007 |
Just a quick chapter on painting the base color. I used PollyScale 505348 Israel Khaki for the base color. I haven’t gotten into preshading like so many have started to use on their models. Guess I’m still old school in that I use washes and drybrushing for all the detail highlights. You will notice the suspension is fully painted, washed and drybrushed. The tracks have also been removed. A close look also shows the periscopes on the commander’s cupola look rough. They have been coated with actor’s latex to mask the surface. I find actor’s latex finer and more fluid than other latex masks I have used.
Next chapter is a quick look at the wash and drybrush stage.
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